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Table of contents
The text
Preliminary advice
The reason for this book
1. The rhythmical structure of the Medieval labyrinth
The rhythmical analysis of the Medieval labyrinth
A first rhythmical analysis
A deeper rhythmical analysis
Some implications of this rhythmical theory
2. The world of canonical labyrinths
The general templates
The keys and the actual labyrinths
3. The practical use of the canonical labyrinths
4. The meanings of the labyrinth
Bibliographical references
About the author
The annexes: illustrations and tables
Annex A: Illustrations to the text
The Cretan labyrinth
The Roman labyrinth
The Medieval labyrinth: Chartres and Reims
The rhythmical motifs of the Medieval labyrinth
Annex B: Rhythmical analysis
Detailed: Chartres, Sens and Reims
Summary: Chartres I and II, Reims I and II
Annex C: The derivation of the canonical labyrinths
Templates and keys of canonical labyrinths
Spread-out diagrams of canonical labyrinths
Analytic and descriptive table of canonical labyrinths
Annex D: The 20 canonical labyrinths and their mirror images
On this site: 8 examples of Canonical labyrinths.
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